A band of mismatched do-gooders. An Odyssean-level quest to save the day. Body switching. Inter-dimensional travel. An ultimate showdown of good versus evil. And of course, dragons. Lots of them. More than Daenerys could ever handle. Ummm…why isn’t this a live action movie yet?
But I’m getting ahead of myself. The Flight Of Dragons is a 1982 direct-to-video (that’s VHS, kids) animated film by Rankin/Bass, the duo that brought us The Hobbit and The Last Unicorn, amongst other classics. These gentlemen deserve ALL the lifetime achievement awards. The film is based on both the 1979 novel of the same name by Peter Dickinson and the 1976 novel The Dragon and the George. It was also a staple of my childhood, played on repeat till that poor tape wore out, along with the other aforementioned movies from the same studio.
Following a grand orchestral opening, we meet Carolinus, the green wizard, who sets the tone for the film. The world of magic he resides in is fading and bending towards that of science and logic. Which side will ultimately triumph?
But first, cue the tears as the haunting folksy theme song is sung by none other than Don McLean, transporting us even further back to a time of other hippy-era dragons like Puff (The Magic)…
Carolinus (voiced by Harry Morgan of M*A*S*H fame) summons his ethnically diverse brothers (hooray for token 80’s inclusiveness!), each one a wizard representing a different fantastic realm, to a meeting. He proposes that before science inevitably wipes out all their powers, they should combine energies to create The Realm of Magic, a haven for all things mystical, like fairies, elves, talking animals, and their beloved dragons.
While two of his brothers agree with Carolinus, the third, Ommadon—the red wizard of the realm of death—refuses to succumb to a so-called magical “retirement village.” He threatens to use humanity’s fear against itself using dark arts, hoping to rid the world of humans once and for all by wreaking havoc and destruction upon them.
If you missed his name in the opening credits, Ommadon’s voice will sound chillingly familiar to you: it’s Darth Vader himself, James Earl Jones, trading in breathy gravitas for a gravel-filled timbre so monstrous it still reminds me of how I instinctively cowered from the character as a child.
Knowing he must be stopped, Carolinus proposes a quest to destroy Ommadan and prevent further chaos. He finds his champion in the form of a modern day man of science, a scholar from Boston named Peter Dickinson. (Yes, like the source author—the film has many meta references.) Peter is voiced with youthful enthusiasm by John Ritter. It seems crystal (ball) clear to Carolinus that this young man with a mind for the logical and a personal passion for the fantastical will make him the perfect leader for the quest.
After transporting a delighted Peter back to the magical realm, a freak spell-related accident merges his mind with the body of the dragon Gorbash. The quest starts off on unsteady footing as the young man struggles with inhabiting a creature he has long loved and fantasized about but does not know the first thing of how to actually be.
Along the way Peter/Gorbash is joined by a diverse group of heroes: a chivalrous knight, a wise elderly dragon, a talking wolf, an elf, and a female archer—whose request to join the all male troupe is met without question or hesitation. It’s a nice moment of casual ’80s girl power despite the fact that the only other female character in the movie is Carolinus’ ward, Princess Melisande. A dutiful, obedient and somewhat simpering girl with an Instagram-worthy Rapunzel/Princess Leia hybrid hairdo, Melisande quickly falls in love with Peter (well, to be fair, her options are slim) and deems him her champion. Not permitted to join the quest, she serves as the troupe’s narrator as she watches them through visions.
For a children’s movie, The Flight of Dragons has a surprising amount of depth and detail that probably went over many kids’ heads, as it certainly did mine, at that time. In re-watching I could not help but notice the level of self-awareness, the adult humor, and occasional frightening moments that made me wonder why my parents let me watch it over and over again back in the day.
The Christian imagery is heavy, beginning with the search for a young savior who may have to ultimately sacrifice himself, and his selection by an all-knowing invisible entity called “Antiquity,” who appears only once as a burning bush—sorry, sparkly tree. Then there’s the resurrection of a supporting character who returns from the dead to save the quest. There is even a casual water-into-wine moment where Carolinus changes cider into milk to soothe his upset stomach.
The movie also manages to convey Peter’s intellectual curiosity in some interesting ways. Using his scientific background, Peter tries to make sense, for both himself and the viewers, of how exactly dragons function. In detailed terms he explains the physical processes that allow a dragon lift to fly, create fire to breathe, and why they have a need to hoard gold. It is never presented as pandering or simplistic, something sorely lacking in modern children’s television.
Also quite striking are the various obstacles the questing party encounter along the way in the form of monsters, ogres, and evil dragons. These are animated ferociously and introduced with a jump scare or two. They are not intended to be endearing or delightful but to instill fear, and do so quite well. There is plenty of death, both graphically depicted and implied, that show the stakes and severity involved when taking on pure evil.
With a slick Japanese style of animation and swelling soundtrack devoid of any musical numbers (beyond the title sequence), the movie holds up well, for the most part. If anything, there is a certain sorrow to be felt when contemplating how much further we have advanced in the world of science while leaving behind the fantasies of youth.
So the question arises once again: why does this movie remain locked in time? Yes, there is a DVD available at various sources online, but while the editing feels perfect for television (with many well-timed stops), it has not aired in decades. And unlike many other direct-to-video films of the 80s and 90s, the fandom online is limited. Etsy, for example, has barely any Flight of Dragons-inspired fan-made art and plush toys, compared to, say, the mountain of goods related to films like The Secret of NIMH or Labyrinth.
I usually have a tough time finding anyone who can remember having seen the film, if they’ve heard of it at all. It seems to be one of those childhood movies that may not be completely forgotten, but one that was just overshadowed by too much competition at the video rental store.
There is a short moment in the film where one dragon remarks about another, “By all that’s magic, is the Dragon not a wonderful creature?” That sentiment still certainly seems to ring true in modern media—it reminds me of the strangely touching moment in the most recent season of Game of Thrones where Tyrion Lannister approaches Khaleesi’s chained dragons for the first time. He speaks to them, soothing their wariness, recalling his childhood wish to have his own dragon, back when the creatures were said to be extinct. When it comes to dragons, even a cocksure and somewhat hardened figure like Tyrion can be flown, sentimentally, down memory lane on their spiked wings.
He’s not alone—in recent years, we have seen these creatures pop up in Harry Potter, Eragon, the How To Train Your Dragon movies, The Hobbit: The Desolation of Smaug and, most recently, in the revival of Pete’s Dragon. They clearly continue to inspire wonderment and fascination, and I encourage anyone who’s ever had a childhood fantasy involving these magnificent beasts to seek out this movie.
In one particular scene, a whole horde of dragons falls out of the sky, lulled to sleep by a magic flute. Each creature is animated differently, and sumptuously for its time. You can see the varying scales and horns. Some are rough, others are sleek. Some belong in King Arthur’s Court, others lifted from a Ming Vase. It is a gorgeously rich piece of wordless animation.
So I am puzzled why this movie has garnered some interest from Hollywood (there was a live action version announced in 2012 and later cancelled), but with ultimately no result. It seems prime for the hatching.
There are many live action films on the upcoming docket that seek to revamp vintage cartoons. The benefit of a remake is that there will be a new childhood classic for the next generation while the previous generation can enjoy a familiar story. Should it fall short of expectations, as sadly many live action updates do, then it will hopefully encourage people to seek out the original material. Republish the books and get an extras-filled anniversary DVD for the cartoon.
And that, ultimately, is why I pine for a revival of The Flight Of Dragons—so it can gain a new following, and maybe reach cult-level status, complete with more frequent cosplaying and midnight screenings…
In the meantime, it can stay firmly solidified in its own magic realm—the realm of nostalgia. It will be safe there. And I’m fine with that.
Originally published October 2016.
Reneysh Vittal is a writer, editor and cultural critic. His work has appeared on VICE, Narratively and The Rumpus. Read more work at www.RVittal.com and follow him on Twitter @ReneyshV
I remember seeing this film and being very confused, because I’d already read The Dragon and the George (and a good chunk of the rest of the series), but not the Flight of Dragons book. It’s got just enough differences (plus the details of how dragons work) that made it feel more like an entirely different film that just happened to rip off the plot of the first book.
It’s been in my queue to rewatch for a while!
It’s not what I would call “extras-filled” (in fact, the only listed extra is an included “standard definition TV version”), but it did get a Blu-ray release a couple of years ago and looks very nice.
(EDIT: Which, now that I’ve looked at it, it appears that the original film was in 4:3 aspect ratio, the Blu-ray has been cropped to 16:9 widescreen, and the “standard definition TV version” is the original 4:3 version pillarboxed.)
While I love all things fantasy, and especially the 80s fantasy of my childhood, THIS was the film that really kicked off my love of fantasy and sci-fi. That haunting opening song, the grotesqueness of some of the character designs, the horror, the action, the magic, it’s all perfect. I would also love to see a modern take on it, though I don’t think anything could ever beat the grittiness of the original.
I love Rankin Bass and this has some great names in the cast. How have I never heard of it before now?
This is my favorite movie from my childhood. Others may be objectively “better” but none combined fantasy and science in a way to allow myself to be fascinated with both. The haunting title song and gorgeous soundtrack are some of the best movie music out there. The voice cast was excellent, and there are many nods to Peter Dickinson’s book, including some of the illustrations, that are fun to find. One quibble I have with this article is that the book “The Flight of Dragons” is not a novel, it’s nonfiction, more of an essay or research paper exploring the possible ways dragons might have been able to fly if they existed. (Yes, I own a copy, because of this movie.)
I cannot express how much this movie thrilled me as a kid, especially during the climactic battle. I have repeated various quotes. I impressed a teacher by knowing the speed of light because of this movie. And I am reassured, after dealing with real life and science and hard numbers all day, that that doesn’t mean that I am lost to magic, after all.
Remember The Flight of Dragons fondly, if vaguely. Never been able to sit through the more famous Last Unicorn, however. Rankin Bass’s Hobbit, on the other hand, remains burned into my brain even after more than 40 years, from the number of times listened to the LP and read along when I was little…I guess Rankin Bass was a bit hit and miss with me.
I remember loving this movie as a kid. But I really don’t remember much about it. The only I think I remember is someone standing on a dragon’s head to ride it. Am I remembering that correctly?
I have always been fascinated with fantasy stories and dragons in particular. I suspect that this movie is one of the biggest reasons why.
I thought this movie was a weird hallucination that I shared with my brother back when we went on a binge of ’80s animated movies years and years ago. This was one of the few we really, really liked. This was one of those fantasy films that we could never be fully convinced was real because almost no one we knew had actually seen it. What a treat to see it talked about here!
Thank you! Agreed: it is very rare to find any other fans of this movie, or even people who’ve heard of it. We did not own it but checked it out so many times from our local video store (not even a Blockbuster, just a strip mall outlet that someone in town ran) we might as well have. I too loved the haunting opening sequence, the quest, the various ways the company fit together, and the many discussions of rationality/magic. I may have not fully understood the latter as a child but gobbled it up all the same, especially since there was so much feeling of synthesis between the philosophies along with acceptance that one would supplant the other. I have always loved dragons, and can credit a lot of my earlier concepts and lore knowledge to this movie. It is a true rare treasure.
It’s one of those films with a real sense of magic and wonder about it, and those are few and far between. I adored it as a child and still do today – that glorious theme song has haunted me on and off over the years, emerging as a spontaneous and unprompted earworm. It really holds up on a rewatch too.
Ahhh I also thought no one else remembered this amazing film! I own it, but it took a lot of digging, and I could have sworn the only other human on earth who knew it existed was my brother.
I think I’d be actually traumatised if it were remade as live action though. Like I do quite like the dragon and the george series, which I could see as a movie, and I adore the flight of dragons book (yes, childhood me also went questing through 1980’s library exchange services, and yes, it probably actually contributed to me becoming a scientist), I just don’t think this should be filmed. I’ve never seen anything before or since that was such a perfect melding of multiple source texts into a coherent whole, I hate that so many wonderful beautiful pieces of art are remade ‘just cause we can’, and while I can see the point that maybe it would bring the story to more people, I would so hate to see it redone badly. There is beauty in this simple kids movie, when he plays the dragons to sleep, when she talks of her home in the woods, and also there are some things that are just better in animation, no matter how good cgi has gotten, or how good GoT made the dragons. Maybe I just wouldn’t trust Hollywood to not stuff this up? Maybe if Peter Jackson did it? Maybe I’m old and just prefer the fluidity and creativity of animation to computer generated shit? Or maybe I’d just rather keep this thing as it was. The thought of flight of dragons being redone is only slightly less appalling than this 20+ year long struggle (hopefully never to succeed) to get the last unicorn remade in live action. Would it be better if it had been made with today’s technology, or in live action? Sure, but it wasn’t, so leave it be.
Watched this movie many times as a kid; we taped it off T.V. I can still sing (and play) part of the theme song. Very unusual the way it combined characters and situations from Gordon R. Dickson’s novel The Dragon and the George with the “scientific” speculations in Peter Dickinson’s dragon guidebook The Flight of Dragons to create an original story.
(The similarity in the last names of the authors of the source material has always seemed very strange to me, one of those odd coincidences life sometimes throws up.)